宋代耀州窑刻花这缠枝莲纹婴戏纹葫芦瓶。宋代耀州窑刻花瓷器，先采用直刀深刻出纹样大轮廓，再于花纹轮廓外，采用斜刀广削刻去纹样外的部分背衬，使花纹清晰凸起于坯胎之上。特点是，行刀手法犀利、圆活、流畅，浮雕感强。宋代早期偏晚时候出现，北宋中期盛行，北宋晚至金代仍大量生产，但主导地位为同风格的印花装饰取代。
北宋早期。装饰以刻花为主，花纹大部分装饰于器物的外壁。花纹局部不加以任何修饰，图案简朴，其中刻两层莲瓣碗的浅浮雕效果明显，是五代越窑装饰影响的结果。说明处于初期的北宋耀州窑刻花很大程度上吸取了越窑装饰中的技法与题材。
北宋中期。装饰技法为刻花为主，同时也使用印花装饰。耀州窑刻花进入了它的成熟阶段，刻花技术得到了飞速的发展，无论装饰题材还是技法，均较早期有了明显的提高。首先，花纹的装饰部位开始增多，由早期的外壁转向内壁，出现了内外壁同时进行装饰的现象。炉、罐、缸、瓶类器物因受形体的局限，装饰仍在外壁，但装饰面积却相应增加。如早期的外壁刻花仅限于部分部位，中期则流行满饰。其次，纹饰中刻划并用，改变了早期刻花制品只刻不划的做法。这种综合手法的运用对局部的花纹进行进一步装饰，增加了层次，使图案的立体效果进一步加强。再次，纹饰内容增加，技术越发娴熟。这个时期刻花制品中大量流行的缠枝、折枝花卉，而印模上的把莲、水波三鱼、水波双鸭、鸳鸯戏莲纹、双鸭戏莲纹等动物纹饰题材和婴戏莲纹题材的广泛流行。这些纹饰具有构图繁密、线条纤细活泼的特点，创作难度大，所需水平高。耀州窑刻花纹样大多具有线条细腻、刀锋犀利和一气呵成的特点。刻花水平的提高带动了印模纹饰的的发展，印花制品的大量出现，使得耀州窑印花纹饰在北宋中晚期取得了飞速的发展，这是和中期刻花水平的高度发展与成熟分不开的。
北宋晚期。装饰以印花为特色，此期耀州窑印花工艺达到其顶峰，可用“巧如范金，精比琢玉”来形容其艺术水平。 装饰题材在上一期的基础上此期进一步增多，又相继出现了婴戏、梅竹、松竹、把莲、连环牡丹、水波五鱼、把莲六鱼、开光鱼鸭、凤戏牡丹、双鹤、群蛾、六格花卉、群鹤博古等图案；画中藏字也成为一大特点出现于装饰之中。
宋耀州窑青瓷胎骨较薄、胎色深灰。因当时施釉工艺尚有不够，故器物背面接近足部同底部经常涌现漏施釉的状况。这些漏釉的露胎处，显示出一些酱色的氧化铁所致小斑块。由于胎土中所含铁的成分较高，在器身之外的下部釉薄处，也时常隐隐透出一些淡褐色。这些特征都是后仿品无法仿出的。
This Song Yaozhou Lotus Scroll carved gourd bottle of children at play pattern.
Song Yaozhou carved porcelain, first using a straight knife deep pattern big picture, and then outline the pattern, the wide use of oblique knife to cut patterns carved outside part of the backing, so that a clear pattern in the mold and raised above. Feature is the sharp line of knife techniques, round live, smooth, strong sense of relief. Partial early evening when the Song Dynasty, Song medium prevalence of late Northern Song to Jin Dynasty are still a lot of production, but the dominant style of printing the same decoration replaced.
The early Northern Song Dynasty. Decorated with carved-based, most decorative patterns on the objects of the wall. Not to be any pattern of local modification, simple design, in which two layers of lotus petals carved bas-relief effect of the bowl obviously, is the result of the Five Dynasties Yue decorative effect. That in the early Northern Song Yue Yaozhou draws largely carved decoration techniques and subject matter.
North Song Dynasty. Decorative Techniques for the carved mainly, but also use the printed decoration. Yaozhou carved into its mature stage, engraving technology has been rapid development, both decorative themes, or techniques, has been significantly improved compared with earlier. First, the pattern began to increase the decorative parts, steering outer wall by the early emergence of both inner and outer walls are decorated phenomenon. Stove, pots, jars, bottles due to physical limitations of objects, decorative wall still, but the decoration area has increased accordingly. If engraving is limited to the early part of the outer wall area, popular with full decorative medium. Second, the ornamentation of carved and used to change the moment of early engraving products are not only planning approach. This integrated approach to the partial use of decorative patterns further increased the level to further enhance the stereo effect pattern. Again, decoration content increases, more and more skilled technology. During this period a large number of popular products in carved scrolls, flowers, broken branches, and die on the lotus, water three fish, water double ducks, mandarin ducks play Lotus, two ducks and other game animals Lotus Lotus decoration themes and children at play a wide range of popular subjects. The decoration has a dense composition, lively features delicate lines, creating difficult, required a high level. Most Yaozhou carved with delicate lines pattern, the characteristics of the blade sharp and coherent.Raising the level of carved decoration impression led to the development, printing products, large numbers, making the stamp decoration Yaozhou made in the late Northern Song in the rapid development, which is the high level and mid-carved inseparable from development and maturity The.
The late Northern Song Dynasty. Features decorated with printing, printing of this period reached its peak Yaozhou, use "clever, such as Pham, refined than the Jade carving" to describe the artistic level. In the last decorative themes on the basis of a further increase in this period, they have appeared in children at play, Mei Zhu, Shochiku, the lotus, a chain peony, water five fish, six fish, the lotus, the opening of fish duck, chicken opera Peony, doubleCrane, group moths, six cells of flowers, Preached Bo Gu and other patterns; painting in the possession of the word has become a major feature of being seen in the decoration.
Song celadon Taigu Yaozhou thin, dark gray color tires. There was not enough for glazing techniques, so objects on the back near the bottom of the foot often emerge with the status of missing glazing.The leakage at the enamel of the exposed child, show some dark reddish brown due to the small patches of iron oxide. Since tire iron in the composition of soil high in the lower part of the body of the glaze thin at the outside, but also often revealed a number of faint light brown. These features are not fake after fake goods out.
Song Yaozhou carved porcelain, first using a straight knife deep pattern big picture, and then outline the pattern, the wide use of oblique knife to cut patterns carved outside part of the backing, so that a clear pattern in the mold and raised above. Feature is the sharp line of knife techniques, round live, smooth, strong sense of relief. Partial early evening when the Song Dynasty, Song medium prevalence of late Northern Song to Jin Dynasty are still a lot of production, but the dominant style of printing the same decoration replaced.
The early Northern Song Dynasty. Decorated with carved-based, most decorative patterns on the objects of the wall. Not to be any pattern of local modification, simple design, in which two layers of lotus petals carved bas-relief effect of the bowl obviously, is the result of the Five Dynasties Yue decorative effect. That in the early Northern Song Yue Yaozhou draws largely carved decoration techniques and subject matter.
North Song Dynasty. Decorative Techniques for the carved mainly, but also use the printed decoration. Yaozhou carved into its mature stage, engraving technology has been rapid development, both decorative themes, or techniques, has been significantly improved compared with earlier. First, the pattern began to increase the decorative parts, steering outer wall by the early emergence of both inner and outer walls are decorated phenomenon. Stove, pots, jars, bottles due to physical limitations of objects, decorative wall still, but the decoration area has increased accordingly. If engraving is limited to the early part of the outer wall area, popular with full decorative medium. Second, the ornamentation of carved and used to change the moment of early engraving products are not only planning approach. This integrated approach to the partial use of decorative patterns further increased the level to further enhance the stereo effect pattern. Again, decoration content increases, more and more skilled technology. During this period a large number of popular products in carved scrolls, flowers, broken branches, and die on the lotus, water three fish, water double ducks, mandarin ducks play Lotus, two ducks and other game animals Lotus Lotus decoration themes and children at play a wide range of popular subjects. The decoration has a dense composition, lively features delicate lines, creating difficult, required a high level. Most Yaozhou carved with delicate lines pattern, the characteristics of the blade sharp and coherent.Raising the level of carved decoration impression led to the development, printing products, large numbers, making the stamp decoration Yaozhou made in the late Northern Song in the rapid development, which is the high level and mid-carved inseparable from development and maturity The.
The late Northern Song Dynasty. Features decorated with printing, printing of this period reached its peak Yaozhou, use "clever, such as Pham, refined than the Jade carving" to describe the artistic level. In the last decorative themes on the basis of a further increase in this period, they have appeared in children at play, Mei Zhu, Shochiku, the lotus, a chain peony, water five fish, six fish, the lotus, the opening of fish duck, chicken opera Peony, doubleCrane, group moths, six cells of flowers, Preached Bo Gu and other patterns; painting in the possession of the word has become a major feature of being seen in the decoration.
Song celadon Taigu Yaozhou thin, dark gray color tires. There was not enough for glazing techniques, so objects on the back near the bottom of the foot often emerge with the status of missing glazing.The leakage at the enamel of the exposed child, show some dark reddish brown due to the small patches of iron oxide. Since tire iron in the composition of soil high in the lower part of the body of the glaze thin at the outside, but also often revealed a number of faint light brown. These features are not fake after fake goods out.
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